Making Communities: Art and the Border

March 3 - April 13

Opening Reception in Two Locations
Friday, March 3, 5:30 - 8:00 pm
University Art Gallery (UAG), UC San Diego and
SME Visual Arts Gallery (SME), UC San Diego

UAG Special Exhibition Preview, February 28 - March 2, 11:00 am - 4:00 pm

UAG Gallery Hours: Tuesday - Thursday, 11:00 - 4:00 pm

SME Gallery Hours: Monday, Tuesday, Friday, 2:30 - 6:00 pm

Making Communities: Art and the Border highlights the border as site for artistic creativity and production. It is the third major exhibition in the series VISUAL ARTS @ 50: ART INTO LIFE, celebrating the 50th anniversary of the department.

The Visual Arts Department of UC San Diego has a proud, long-standing history of collaboration and engagement with artists in Tijuana and the Chicano Community in San Diego. In recent days, the nation has been subjected to an "America First" rhetoric treating the world as a contest between rival nations, in which our southern neighbor is cited as a cause of crime and economic decline. Making Communities: Art and the Border counters this dark rhetoric and view of the world with exhibitions at the University Art Gallery, the SME Visual Arts Gallery and the Cross-Cultural Center, celebrating cooperation and engagement with Mexican and immigrant communities as a source of creativity.

For the artists of Making Communities, the border is not just a as a physical reality imposed on the landscape by political forces and entities, but also a subject for the imagination and a site for social engagement and problem-solving. The multimedia exhibition in the University Art Gallery and SME Visual Arts Gallery features twenty artists whose work critiques and reassesses the border and imagines a more interconnected and just world. Contemporary Latino and Chicano art is also featured in a smaller, complementary exhibition in the Cross-Cultural Center galleries. Inspired by Making Communities, the show there highlighting current student and alumni artists will open on March 8 and run until March 31.

The exhibitions are curated by alumna Tatiana Sizonenko Ph.D. '13. UAG and SME galleries feature UC San Diego artists including: David Avalos, Cog*nate Collective, Collective Magpie, Alida Cervantes, Teddy Cruz, Electronic Disturbance Theater 2.0, Louis Hock, Las Comadres, Fred Lonidier, Yolanda Lopez, Jean Lowe, Kim MacConnel, Victor Ochoa, Ruben Ortiz-Torres, Iana Quesnell, Allan Sekula, Elizabeth Sisco, Deborah Small, Perry Vasquez, and Yvonne Veneges.

 

 

Making Communities: Art and the Border Programming

Making Communities Art and the Border Opening Reception
March 3, 5:30 - 8:00 pm
University Art Gallery and SME Visual Arts Gallery 

Barb Wired Dreams: The Anatomy of an Image
A workshop with Yolanda Lopez
March 8, 3:00 - 4:30 pm
Cross Cultural Center

Making Communities: Art and the Border Panel
March 9, 5:00 - 7:00 pm
University Art Gallery, Mandeville Center

Featuring:

David Avalos (MFA '90) has devoted himself to socially and politically engaged art of the border region, informed by his involvement with the Committee on Chicano Rights. As a Professor in the School of Arts at CSU San Marcos, he continues to learn about the art-making process with his students and colleagues.

Rita Gonzalez (MFA '92) is Curator and Acting Department Head in Contemporary Art at the Los Angeles County Museum of Art where she has curated several exhibitions and has a forthcoming exhibition, A Universal History of Infamy coinciding with Pacific Standard Time LA/LA.

Yolanda Lopez (MFA '79) is a third-generation Chicana who is internationally renowned for her Virgen de Guadalupe series of drawings, prints, collage, assemblage, and paintings that depict "ordinary" Mexican women with Guadalupan attributes.

Elizabeth Sisco (MFA '81) is a contemporary American artist best known for her photo/text installations and collaborative public art projects. Her work reveals the social cost of conditions in society, especially for immigrants in California.

Ruben Ortiz-Torres (MFA, CalArts '92) is a multimedia artist and Professor at UC San Diego whose work explores the issues of globalization and the various, sometimes conflicted, responses to this newest form of Euro-American dominance. Born in Mexico City to a couple of Latin-American folkloric musicians, Ortiz-Torres is noted as one of the first artists in Mexico to position himself within Post-Modernism.

Moderator: Ricardo Dominguez, Visual Arts Associate Professor is a Hellman Fellow, and Principal/Principle Investigator at Calit2, he is the Co-founder of the Electronic Disturbance Theater (EDT), a group who developed virtual sit-in technologies in solidarity with the Zapatistas communities in Chiapas, Mexico, in 1998.

Dialagesthai
A Performance by Cog*nate Collective exploring the dialectical tension between abstraction and tangibility as experienced + lived across the US/Mexico border
April 6, 6:00 - 7:00 pm
Visual Arts Presentation Lab, SME 149

ACKNOWLEDGMENTS
The Department of Visual Arts sincerely thanks participating artists, alumni, and lending institutions for their generous support and loans of works. We express our sincere appreciation to alumnus David Avalos whose enthusiasm and advice was indispensable and helped to make this exhibition a reality.

Additionally, we would particularly like to recognize curator Jill Dawsey and registrar Tom Callas of Museum of Contemporary Art San Diego and Rosie Morales of Shoshana Wayne Gallery for the loan of works.

We are also grateful to the University of California Institute for Mexico and the United States (UC MEXUS) for supporting Making Communities: Art and the Border.

VISUAL ARTS @ 50: ART INTO LIFE
Since its foundation in 1967, the artists, critics, theorists and historians of the Department of Visual Arts have been at the forefront of developing, studying, and promoting new and post-studio practices for art in an expanded field. Honoring the call of seminal faculty member Allan Kaprow to blur the line between art and life, VISUAL ARTS @ 50: ART INTO LIFE seeks to engage the campus and community in celebrating the illustrious history of the Department and in shaping its future.