candice hopkins

Candice Hopkins

Graduate Lecture Series

November 8th, 2018
Lecture: 7 p.m.
SME 149, Structural & Materials Engineering Bldg., UC San Diego
Free and open to the public

Candice Hopkins is a curator and writer originally from Whitehorse, Yukon and based in Albuquerque, New Mexico. She is co-curator of the SITE Santa Fe biennial, Casa Tomada, which opened in August 2018, as well as co-curator of the Canadian Pavilion at the 58th Venice Biennale opening May 2019, which will feature the media work of Isuma Productions, a collective based in Igloolik and Montreal, Canada. She was a curator for documenta 14 in Athens, Greece and Kassel, Germany.

Hopkins's writing is published widely and recent essays include “Outlawed Social Life” for South as a State of Mind and “The Gilded Gaze: Wealth and Economies on the Colonial Frontier” for the documenta 14 Reader. She has lectured on contemporary art, sound, indigeneity, native economies, and vernacular architecture at such venues as Witte de With, WIELS, Tate Modern, Dak’Art Biennale, Artists Space, Tate Britain and the National Gallery of Canada. Hopkins's writings have been published by MIT Press, BlackDog Publishing, Revolver, New York University, Fillip Review, and the National Museum of the American Indian, among others.

Hopkins was co-curator of the exhibitions Close Encounters: The Next 500 Years; Sakahàn: International Indigenous Art; and the 2014 SITE Santa Fe Biennial exhibition Unsettled Landscapes. She has co-edited the books Recipes for an Encounter (Western Front) and Jimmie Durham: The Second Particle Wave Theory (Walter Phillips Gallery Editions and Art Editions North). She is the recipient of the Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art and the 2016 the Prix pour un essai critique sur l’art contemporain by the Foundation Prince Pierre de Monaco.

Hopkins has held curatorial positions at the Walter Phillips Gallery, Western Front Society, the National Gallery of Canada, and The Institute of American Indian Arts Museum of Contemporary Native Arts in Santa Fe, New Mexico. She is a member of the Carcross/Tagish First Nation.

Presented with support from the Ethnic Studies Department.

ethnic studies