Kameelah Janan Rasheed
Guest Lecture
May 21, 2024
6:30 - 8:00 p.m.
SME 149, Structural & Materials Engineering, UC San Diego
Free and open to the public!
Kameelah Janan Rasheed was born in East Palo Alto, CA. Rasheed lives and works in Brooklyn, NY. She holds an MA in Secondary Social Studies Education from Stanford University (2008) and a BA in Public Policy from Pomona College (2006). She was an Amy Biehl U.S. Fulbright Scholar at the University of Witwatersrand, South Africa (2006–7). A learner, she grapples with the poetics-pleasures-politics of Black knowledge production, information technologies, [un]learning, and belief formation. Most recently, they are a recipient of a 2022 Schering Stiftung Award for Artistic Research; a 2022 Creative Capital Award; a 2022 Betty Parsons Fellow – Artists2Artists Art Matters Award; a 2022 Artists + Machine Intelligence Grants - Experiments with Google; and a 2021 Guggenheim Fellowship in Fine Arts. You can learn more about her practice in the Art 21 documentary (October 2021) or a recent interview in Art in America (July 2021). Rasheed is the author of four artist’s books: i am not done yet (Mousse Publishing, 2022); An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019); No New Theories (Printed Matter, 2019); and the digital publication Scoring the Stacks (Brooklyn Public Library, 2021). Her fifth artist book is due out in 2023 from KW Institute for Contemporary Art (Berlin, DE). Their writing has appeared in Triple Canopy, The New Inquiry, Shift Space, Active Cultures, and The Believer. Rasheed founded Mapping the Spirit, a digital archive documenting how Black faith lives, shifts, and self-revises. Rasheed’s work has been exhibited nationally at the Brooklyn Museum; the New Museum; MASS MoCA; the Queens Museum; the Bronx Museum; the Studio Museum in Harlem; Portland Institute for Contemporary Art; the Institute of Contemporary Art, Philadelphia; Jack Shainman Gallery, New York; the Brooklyn Public Library; and the Brooklyn Historical Society, among others. Her work has been exhibited internationally at NOME; Transmission Gallery, Glasgow; Kunsthalle Wien; Bétonsalon Centre d'art et de recherche, Paris; Contemporary Art Gallery, Vancouver; Artspace Peterborough; the 57th Venice Biennial; and the National Gallery of Zimbabwe, among others. Her public installations have appeared at Ballroom Marfa; the Brooklyn Museum; For Freedoms x Times Square Art, New York; Public Art Fund, New York; Moody Center for the Arts, Houston; The California Air Resources Board; and several others.
https://kameelahr.com/
Cosponsored by Black Studies Project as part of their Black Visual and Performance Art Series.
